1990
Search results
Hace 5 días · 9. ‘Orgy of the Damned’ es el sexto álbum de estudio de Slash, el inimitable mago de la chistera a la guitarra de Guns N' Roses o Velvet Revolver, protagonista de la portada del número 461 de La Heavy. Desde pequeño, su abuela le inculcó el blues e inmediatamente quedó fascinado por la música de B.B. King. Si a esto le sumamos que ...
Hace 4 días · But instead of digging down and crawling inside this Hoyt Axton-penned, Steppenwolf-definitively-covered chestnut, he merely struts and preens through the verses.
Hace 2 días · But it makes up for it in enthusiasm and, somehow, conviction. It was written by Hoyt Axton, who, I don't know, might have been high when he wrote it, or might have been sober as a judge. Here's Hoyt Axton in The Black Stallion. He was an actor too. Axton released it first and Three Dog Night covered it the same year. Elvis covered it too.
Hace 3 días · Renowned for its appearance in Easy Rider, Orgy of the Damned kicks off with a powerful rendition of Hoyt Axton’s “The Pusher,” delivered by Chris Robinson of The Black Crowes. “Chris Robinson came into to the studio and brought his harmonica and we did three different takes, all entirely different,” Slash described the recording.
Hace 4 días · Written by Wayne Hoyt Axton. Above: Chris Robinson records “The Pusher” from Slash’s Orgy of the Damned. SLASH: “‘The Pusher’ is an old Steppenwolf song. Yeah, I’ve always loved Steppenwolf, but I particularly like this song, and it was a song that we used to do in Slash’s Blues Ball back in the 90s.
Hace 4 días · Em linhas gerais, “Orgy of the Damned” serve como uma boa apresentação para quem ainda não se aventura pelos caminhos do blues. Slash e amigos passam pelo teste mostrando competência. Ainda assim, é importante ressaltar que várias das canções presentes possuem takes mais convincentes, competentes e espontâneos em décadas anteriores.
Hace 5 días · Where Are You Now, My Son? is the fourteenth studio album (and sixteenth overall) by Joan Baez, released in 1973. One side of the album featured recordings Baez made during a US bombing raid on Hanoi over Christmas 1972. Included on the recording are the voices of Barry Romo, Michael Allen and human rights attorney Telford Taylor, with whom Baez made her famous 1972 visit to North Vietnam.
