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  1. Ígor Stravinski. Apariencia. ocultar. Stravinski en 1962. Ígor Fiódorovich Stravinski (en ruso: Игорь Фёдорович Стравинский; Oranienbaum, 17 de junio de 1882- Nueva York, 6 de abril de 1971) fue un compositor y director de orquesta ruso y uno de los músicos más importantes y trascendentales del siglo XX .

  2. Stravinsky, Igor; Early 20th century style; Early 20th century; For wind ensemble; For orchestra without strings; Scores featuring wind ensemble; Pieces; For piano (arr) For 1 player (arr) Scores featuring the piano (arr) Pages with arrangements; Works first published in 1920; Works first published in the 20th century; Debussy, Claude/Dedicatee

  3. Stravinsky toured for most of 1930 to 1933, also composing his Symphonies of Wind Instruments upon a commission from the Boston Symphony Orchestra and his Violin Concerto in D for Samuel Dushkin. After touring the latter with Dushkin, Stravinsky was inspired to transcribe some of his works for violin and piano, later touring these ...

  4. 14 de may. de 2024 · Igor Stravinsky, Russian-born composer whose work had a revolutionary impact on musical thought and sensibility just before and after World War I, and whose compositions remained a touchstone of modernism for much of his long working life.

  5. 27 de abr. de 2021 · Ígor Stravinsky: Etapas estilísticas y últimos años. El siglo XX es considerado en la música como un período de cambios, donde la ruptura de la tonalidad sienta las bases de nuevos estilos musicales. De esta manera, quedaría atrás cualquier influencia de la música barroca y las anteriores. En pleno fenómeno, aparecieron ...

  6. 6 de dic. de 2013 · The defining feature of Symphonies of Wind Instruments is Stravinskys use of the various instruments to create distinct symphonies of sound. These groups often contrast and rarely overlap. Tempo is another important factor in the piece.

  7. Igor Stravinsky was a Russian composer, pianist, and conductor known for being one of the most important and influential figures in twentieth-century classical music. His unique approach to rhythm, instrumentation, and tonality made him a pivotal figure in modernist music. [1] [2] [3] [4]