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Hace 5 días · The Social Network is a 2010 American biographical drama film directed by David Fincher and written by Aaron Sorkin, based on the 2009 book The Accidental Billionaires by Ben Mezrich.It portrays the founding of social networking website Facebook.It stars Jesse Eisenberg as Facebook founder Mark Zuckerberg, with Andrew Garfield as Eduardo Saverin, Justin Timberlake as Sean Parker, Armie Hammer ...
For example Jeff Cronenweth (social network) Share Add a Comment. Be the first to comment Nobody's responded to this post yet. Add your thoughts and get the conversation going. Top 1% Rank by size . More posts you may like Related discussions Greatest Directors of All Time TOPICS. Internet Culture (Viral) ...
4 de may. de 2024 · Hero. Master of creating imagery that illustrates beyond the narrative, Erik Messerschmidt is an Academy -Award-winning cinematographer and long-time David Fincher collaborator equipped with a captivating photographic eye and razor-sharp instinct. Messerschmidt’s expertise lies in the visceral experience, the intricacy of his lens causing ...
Hace 2 días · Hal Mohr won the only write-in Academy Award ever, in 1935 for A Midsummer Night's Dream. Mohr was also the first person to win for both black-and-white and color cinematography. No winners are lost, although some of the earliest nominees (and of the unofficial nominees of 1928–29) are lost, including The Devil Dancer (1927), The Magic Flame ...
1 de may. de 2024 · I am Travis’ Essay on Love, Sex, Masculinity, and Fight Club Travis WoodsMarch 2024Bright Wall/Dark Room: Issue 129: 1999 A dark room. Two bodies in the center, colliding beneath the amber haze of a single hanging light bulb. The first rule of watching Fight Club is: the film is not misogyny-pumped propaganda for incels. All you can hear…
13 de may. de 2024 · The film’s cinematographer, Jeff Cronenweth, used a handheld camera to capture the intense fight scenes. This technique adds to the raw and visceral feel of the movie. The “Fight Club” production team built a custom camera rig for the iconic “bullet-time” scenes.
12 de may. de 2024 · Jordan Cronenweth shot Stop Making Sense on 35mm film using Panavision cameras with spherical lenses, framed at 1.85:1 for its theatrical release. After jumping through multiple hands over the years, the rights to Stop Making Sense finally reverted to Talking Heads shortly before the film’s 40th anniversary, and they struck a deal ...
