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  1. Hace 3 días · Y John Frankenheimer, hijo de un judío alemán y una irlandesa católica, quien ya había realizado una serie de películas que reflejaban la lucha contra los abusos del poder y los excesos institucionales, ‘El mensajero del miedo’ (1963), ‘Plan diabólico’ (1966), ‘Siete días de mayo’ (1963) o ‘El tren’ (1965), y ...

  2. Hace 5 días · A freelancing former U.S. Intelligence Agent tries to track down a mysterious package that is wanted by the Irish and the Russians. Release Date. September 25, 1998. Director. John Frankenheimer ...

  3. Hace 2 días · 5 – Ronin (John Frankenheimer, 1998) POR EDGAR DEL VALLE. La última loable cinta de su carrera, en cierta manera Frankenheimer se hace un autohomenaje a sus propios thrillers y bases de la acción del principio de su carrera, logrando así algunos de los momentos más tensos y bien ejecutados dentro del subgénero de los años 90.

  4. Hace 2 días · Formula 1 drivers compete to be the best in this slam-you-into-the-driver’s seat tale of speed, spectacle and intertwined personal lives. John Frankenheimer ...

  5. Hace 1 día · No John Frankenheimer, who made a true political picture called Seven Days in May, more relevant today, and more daring than Civil War, Garland nonetheless does treat in a dedicated dramatic arc – with real cathartic power – the relationship between Dunst and Spaeny, respectively 40 and 20 something, making their intergenerational “civil war” his movie’s crux.

  6. Hace 4 días · Directed by: John Frankenheimer. Cast: James Garner, Yves Montand, Toshiro Mifune, Eva Marie Saint. Synopsis: An all-star cast tackles the world of Formula One racing in this epic drama. Follow the story of an American driver Pete Aron (Garner), trying to make his mark in a dangerous and ruthless sport.

  7. Hace 4 días · Following the Paramount Case (which ended block booking and ownership of theater chains by film studios) and the advent of television (where Rod Serling, John Frankenheimer, Arthur Penn, Paddy Chayefsky and Sidney Lumet worked in their earlier years), both of which severely weakened the traditional studio system, Hollywood studios initially used spectacle to retain profitability.