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  1. Mannequins of Paris (French: Mannequins de Paris) is a 1956 French drama film directed by André Hunebelle and starring Madeleine Robinson, Ivan Desny and Mischa Auer. [1] It is set in the world of high fashion. The film's sets were designed by the art director Lucien Carré.

  2. With Madeleine Robinson, Ivan Desny, Mischa Auer, Jacqueline Pierreux. Véronique Lanier runs one of the most highly rated haute couture houses in Paris. Her first partner is her husband Pierre, who has left aside a promising artist career to design the styles which make their firm a success.

  3. Overview. Véronique Lanier runs one of the most highly rated haute couture houses in Paris. Her first partner is her husband Pierre, who has left aside a promising artist career to design the styles which make their firm a success. The trouble is that Véronique lives only for her job and does not allow herself -and her husband for that matter ...

  4. Mannequins de Paris. Year. 1956. Running time. 89 min. Country. France. Director. André Hunebelle. Screenwriter. André Hunebelle, Michel Audiard, François Campaux. Cast. Music. Paul Cotteret. Cinematography. Jean Feyte. Producer. Pathé Consortium Cinéma (P.A.C.) Genre. Drama. Comedy. Synopsis.

  5. Synopsis. Véronique Lanier runs one of the most highly rated haute couture houses in Paris. Her first partner is her husband Pierre, who has left aside a promising artist career to design the styles which make their firm a success. The trouble is that Véronique lives only for her job and does not allow herself -and her husband for that matter ...

  6. Production year 1956. Synopsis. Véronique Lanier runs one of the most highly rated haute couture houses in Paris. Her first partner is her husband Pierre, who has left aside a promising artist career to design the styles which make their firm a success.

  7. Mannequins of Paris (1956) Mannequins de Paris. Movie. France. 89 minutes. Released. Release Date: 19 September 1956 (France) (more) Genre: Drama (more) After giving up his promising artist career to design styles for his wife Véronique's successful haute couture house in Paris, Pierre feels neglected by her, as all she cares about is her work.

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