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Los Grammys y premios independientes obtenidos por su sólido y exitoso álbum Masseduction (2017) la situaron rápidamente como la artista femenina más cool mientras que sus sonados romances con ...
Es una canción que empecé a escribir con Jack Antonoff (NdE: productor de ‘MASSEDUCTION’). Después él la trabajó con Taylor y Taylor la terminó y la convirtió en ‘Cruel Summer’.
Records are inspired by film scores (Actor), isolation (Strange Mercy), techno-fetishism (Masseduction) and louche 1970s rock (Daddy’s Home). The last of those alluded to her father’s ...
“Masseduction” St. Vincent’s 2017 album “Masseduction,” featuring production by Jack Antonoff, was in some ways her sleekest and most pop-friendly, but as the title track shows, it still ...
Her 2017 follow-up, Masseduction, found her in the vibrant guise of a dominatrix with a new, whip-smart pop sound. Then came her first misstep: 2021’s Daddy’s Home.
MASSEDUCTION · 2017. Land Mines. Marry Me · 2007. Essential Albums. St. Vincent (Deluxe Edition) 2014. Strange Mercy. After two previous releases, St. Vincent (a.k.a. Annie Clark) finds a way to channel her avant-garde instincts in more accessible directions, displaying a firm grasp on pop songwriting forms even as she subverts ...
But there’s many ways to scream, and elsewhere the wailing vocal of standout track Violent Times could be read as the twin of Masseduction’s Young Lover. Where the earlier track narrated a lover begging in anguished desperation to avoid loss, here Clark’s narration speculates the futility of 'Chasing mortality / When in the ashes of Pompeii / Lovers discovered in an embrace / For all ...
