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  1. Hace 4 días · Michelangelo Antonioni, Italian film director, cinematographer, and producer noted for his avoidance of realistic narrative in favor of character study and a vaguely metaphorical series of incidents. His major films included Le amiche (1955), L’avventura (1960), L’eclisse (1962), and Blow-Up (1966).

  2. 19 de jul. de 2024 · Trabajó especialmente en producciones europeas durante los años 50 y 60, acompañando a Michelangelo Antonioni en la película que le consagraría, 'Las amigas'. Yvonne Furneaux en 'La dolce vita'

  3. 2 de jul. de 2024 · La ciudad de Ferrara (Italia) ha inaugurado Spazio Antonioni, un vibrante museo y centro de educación y descubrimiento dedicado al cineasta Michelangelo Antonioni.

  4. Hace 5 días · July 22, 2024 by Jordan Deglise Moore. Laemmle Theatres and the Anniversary Classic Series present this month’s screening in our popular Anniversary Classics Abroad program: Michelangelo Antonioni’s vibrant masterpiece RED DESERT, which won the Golden Lion at the Venice Film Festival in 1964 and collected rave reviews around the world on ...

  5. en.wikipedia.org › wiki › Eros_(film)Eros (film) - Wikipedia

    19 de jul. de 2024 · Eros is a 2004 anthology film consisting of three short segments: The Hand directed by Wong Kar-wai in Mandarin, Equilibrium by Steven Soderbergh in English, and The Dangerous Thread of Things by Michelangelo Antonioni in Italian. Each segment addresses the themes of love and sex.

  6. 16 de jul. de 2024 · Michelangelo Antonioni was the first to establish himself and he became a reference for contemporary cinema. His first work, Story of a Love Affair (1950), breaks with neorealism. [81] He investigates the world of the Italian bourgeoisie with a critical eye in films like I Vinti (1952), The Lady Without Camelias (1953) and Le Amiche (1955).

  7. 2 de jul. de 2024 · Michelangelo Antonioni (1912-2007) è uno dei padri della modernità cinematografica. La sua opera ha oltrepassato i confini della settima arte: è stata profondamente ispirata dalle arti figurative e ha esercitato a sua volta su di esse un notevole ascendente, come sul cinema di ieri e di oggi.