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22 de oct. de 2007 · The Philosophy of Music. First published Mon Oct 22, 2007; substantive revision Mon Oct 30, 2023. Philosophy of music is the study of fundamental questions about the nature and value of music and our experience of it. Like any “philosophy of X,” it presupposes knowledge of its target.
13 de jul. de 2021 · First published Tue Jul 13, 2021. Since its origins in ancient Greece, the Western philosophical tradition has investigated the nature and value of music. This entry examines the development of Western philosophy of music from Greek Antiquity to the end of the eighteenth century. Subsequent developments are covered by the entry on ...
Philosophy of music is the study of "fundamental questions about the nature and value of music and our experience of it". [1] The philosophical study of music has many connections with philosophical questions in metaphysics and aesthetics. The expression was born in the 19th century and has been used especially as the name of a ...
15 de dic. de 2020 · Abstract. This Handbook offers an overview of the thriving interdisciplinary field of Western music and philosophy. It seeks to represent this area in all its fullness, including a diverse array of perspectives from music studies (notably historical musicology, music theory, and ethnomusicology), philosophy (incorporating both ...
15 de dic. de 2020 · Abstract. In principle, music theory and philosophy are close allies, both trying to understand the fundamental issues of music. In practice, however, a deep rift has remained ever since the time of Aristotle and Aristoxenus.
13 de jul. de 2021 · 1. Nineteenth Century. 1.1 Romantic Musical Aesthetics. 1.2 Romantic Metaphysics of Music: Schopenhauer. 1.3 Idealist Musical Aesthetics: Schelling and Hegel. 1.4 Music and Drama: Wagner. 1.5 Nietzsche. 1.6 Absolute Music and the Rise of Formalism. 1.7 Music and the Life Sciences: Darwin, Spencer, Gurney. 2. Twentieth Century.
Examines the ideas of essence and context as they apply to music. Combines philosophical and musicological approaches with bioethics, biology, linguistics, communication theory, phenomenology, and cognitive science. Introduces the concepts of musical work and performance from ontological and epistemological perspectives.
