2001
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6 de abr. de 2024 · But Ringwald was bringing that complexity to the screen from her first role in Paul Mazursky’s “Tempest,” and the fact that she’s continued to do so throughout her career is why she’s set to...
6 de abr. de 2024 · According to star Paul Mazursky (who later became a great director in his own right), " Stanley tried to have the negative burned. He hated the movie." And for a while, Fear and Desire was only...
8 de abr. de 2024 · According to the film's star, Paul Mazursky, who went on to have a directing career of his own, Kubrick ended up hating the film so much that he tried to burn the negatives. That makes the fact that the scraps were found and restored 50 years later all the more special.
22 de abr. de 2024 · (Paul Mazursky, 1969), The Owl and the Pussycat (Herbert Ross, 1970), A New Leaf (Elaine May, 1971), Play It Again, Sam (Herbert Ross, 1972), and . Butterflies are Free (Milton Katselas, 1972) from the immediate post-Code era feature women in more objectifying roles that center around them being sexually desired by men and the butt of most jokes.
Hace 2 días · As he does several times throughout the film, director Paul Mazursky keeps the camera in close on Clayburgh, letting her face do all the emotional work as she goes from disbelief to shock to anger to sadness. Clayburgh, a Broadway actress before her film career launched, is utterly unguarded in showing the wrecking ball that hits her life.
Hace 1 día · She was subsequently cast by director Paul Mazursky in Down and Out in Beverly Hills, beginning a successful comedic acting career. She followed that role with several more Touchstone comedies, Ruthless People (1986), Outrageous Fortune (1987), and Big Business (1988).
24 de abr. de 2024 · However, the 1970s saw a cycle of new women’s films, New Hollywood films about women’s lives and relationships, including Alice Doesn’t Live Here Anymore (Martin Scorsese, 1975), An Unmarried Woman (Paul Mazursky, 1977), and Starting Over (Allan Pakula, 1979); and by placing black women at the centre of both plot and narration ...
