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Auguste Rodin's masterpiece The Gates of Hell is an epic achievement: a massive portal to Hades inspired by Dante's Inferno, its towering doors covered with nearly 200 individual figures. Commissioned in 1880, the project was to be the main entrance to the museum of decorative arts in Paris, a museum that was never built.
La puerta del Infierno (escultura) Apariencia. ocultar. La puerta del Infierno (en francés La Porte de l'Enfer) es un grupo escultórico monumental creado por el artista francés Auguste Rodin, con la colaboración de la escultora francesa Camille Claudel, 1 entre 1880 y 1917.
The Gates of Hell (French: La Porte de l'Enfer) is a monumental bronze sculptural group work by French artist Auguste Rodin that depicts a scene from the Inferno, the first section of Dante Alighieri's Divine Comedy.
Auguste Rodin's masterpiece The Gates of Hell is an epic achievement: a massive portal to Hades inspired by Dante's Inferno, its towering doors covered with nearly 200 individual figures. This award-winning film chronicles Rodin's struggles and sacrifices in creating a monumental work of art - and the extraordinary modern-day effort to give it ...
On August 16, 1880, Rodin received a commission to create a pair of bronze doors for a new decorative arts museum in Paris. Although the museum did not come to fruition and the doors were never fully realized, The Gates of Hell became the defining project of Rodin's career and a key to understanding his artistic aims. During the thirty-seven-year period that the sculptor worked on the project ...
Overview. Auguste Rodin's masterpiece The Gates of Hell is an epic achievement: a massive portal to Hades inspired by Dante's Inferno, its towering doors covered with nearly 200 individual figures. Commissioned in 1880, the project was to be the main entrance to the museum of decorative arts in Paris, a museum that was never built.
Since this autumn, a large-scale and delicate operation has been taking place on the terrace between the two towers, at the far end of the nave: the transfer of The Gates of Hell by Auguste Rodin, a process that involves dismantling this monumental cast measuring six meters high in order to adjust its presentation.
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