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  1. 19 de abr. de 2024 · Sandro Botticelli - Tempera - 173 x 279 cm - 1486 - (Uffizi (Florence, Italy)) El nacimiento de Venus (Italiano: Nascita di Venere) es una pintura de 1486 de Sandro Botticelli. Botticelli fue encargado de pintar el trabajo de la familia Medici de Florencia, específicamente Lorenzo de' Medici.

  2. 6 de abr. de 2024 · Sandro Botticelli’s influence stretches far beyond his own era, impressively echoing through centuries of art history. As I delve into the depths of his legacy, it’s clear that his work not only defined the visual aesthetics of the Florence Renaissance but also inspired generations of artists and art lovers.

  3. 6 de abr. de 2024 · Sandro Botticelli: La Primavera, Spring (1481–82) Posted by At Sunnyside - Where Truth and Beauty Meet onApril 6, 2024April 3, 2024. Sandro Botticelli, La Primavera (Spring), 1481–82, tempera on panel, 203 x 304 cm (Uffizi Gallery, Florence), Image Source: wikimedia.

  4. 18 de abr. de 2024 · Reproducciones De Pinturas El Abismo del Infierno, 1480 de Sandro Botticelli (1445-1510, Italy) | ArtsDot.com. Buy 3 prints and get 5% + 5% off on all items. 5% de descuento en todos sus artículos! Válido hasta:18/04/2024. Envío gratis. Todo el tiempo. Ver detalles.

  5. 14 de abr. de 2024 · Filippino Lippi (born c. 1457, Prato, Republic of Florence—died April 18, 1504, Florence) was an early Renaissance painter of the Florentine school whose works influenced the Tuscan Mannerists of the 16th century.. The son of Fra Filippo Lippi and his wife, Lucrezia Buti, he was a follower of his father and of Sandro Botticelli.After Fra Filippo Lippi’s death, Filippino entered the ...

  6. 31 de mar. de 2024 · Todas las Obras de Sandro Botticelli. La mañana de la dama veneciana. Pietro Longhi. Retrato de una dama. Pierfrancesco Di Jacopo Foschi. Retrato de una mujer noble. Alessandro Allori. Figura de una Señora (después de Jacopo Palma il vecchio) John Graham Gilbert.

  7. 12 de abr. de 2024 · Sandro Botticelli, the major Florentine painter of the late 15th century, and Francesco di Giorgio, the important Sienese artist, clearly oriented themselves toward Verrocchio’s art in certain phases of their development, as did the prominent Florentine sculptors Benedetto da Maiano and Andrea Sansovino. Paintings and sculptures

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