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Hace 6 días · Sire Records signed The Replacements to a contract, and they led the charge of bands with an independent history trying to navigate the corporate landscape.
Hace 2 días · I'm Breathless is an album by American singer and songwriter Madonna, released on May 22, 1990, by Sire Records to accompany the film Dick Tracy. The album contains three songs written by Stephen Sondheim, which were used in the film, in addition to several songs co-written by Madonna that were inspired by but not included in the film.
Hace 5 días · Matthew Lewis/Getty Images. Play Now [ 1:00:52] by Jake Rudh. May 17, 2024. Last week on the program, I spotlighted the influential label Sire Records out of New York City. And this week on the show, we cross the pond to cover one of the most influential U.K. labels of the 1980s: Factory Records.
Hace 1 día · After leaving Sire Records, Brett Gurewitz of Bad Religion offered to sign the band to his label Epitaph Records, even traveling to a concert in Amsterdam and begging Joey and Johnny. Meanwhile, Stormy Shepard from Leave Home Bookings (who was booking then-up-and-coming bands like Rancid and The Offspring ) negotiated with the Ramones: "I'll put you on tour with these bands that are huge now.
Hace 5 días · Released in 1983, With Sympathy was considered a commercial success, though Jourgensen's relations with Arista Records were strained. He's since repeatedly denounced his early "flavor of the month" material and famously destroyed the master tapes. Ministry's second studio album, the more abrasive Twitch, was released in 1986 by Sire Records.
Sire Records. Meandering blues rock, you gotta be pretty stoned, and I am there. Plodding and pointless “Tobacco Road” until it breaks into some proto-punk riffing around 5 minutes in, but it’s brief.
Hace 4 días · Despite its legendary status, the Ramones’ debut single failed to chart upon its release. In fact, they were plagued by poor commercial performances throughout their tenure despite having the backing of Sire Records. Perhaps the musical mainstream of America simply was not ready for the sonic assault that was ‘Blitzkrieg Bop’.
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