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  1. A South African engineer visiting London, Richard Hannay (Robert Powell) gets caught up in an intricate spy plot when a British secret agent takes shelter in his accommodations. When the spy is ...

  2. https://www.imdb.com/title/tt0078389/

  3. 1 de jun. de 1996 · The Thirty-Nine Steps Credits: Jo Churcher. HTML version by Al Haines. Corrections by Menno de Leeuw. Language: English: LoC Class: PR: Language and Literatures: English literature: Subject: World War, 1914-1918 -- Fiction Subject: Spy stories Subject: Hannay, Richard (Fictitious character) -- Fiction Subject: Intelligence service -- Great ...

  4. The 39 Steps. A heart-racing spy story by Alfred Hitchcock, The 39 Steps follows Richard Hannay (Robert Donat) as he stumbles upon a conspiracy that thrusts him into a hectic chase across the Scottish moors—a chase in which he is both the pursuer and the pursued—as well as into an unexpected romance with the cool Pamela (Madeline Carroll).

  5. 4 de ago. de 2017 · For me, The 39 Steps is the quintessential Hitchcock film. Other films may have weightier themes or a more complex subtext, but The 39 Steps boils the Hitchcock thriller down to its essential elements – a shocking murder, an innocent man on the run, a beautiful blonde, and a MacGuffin so irrelevant that few people can remember what it was all about.

  6. Alfred Hitchcock had been a star director in England since his silent film The Lodger (1927) but for the rest of the world, Alfred Hitchcock's fame began with this movie, The 39 Steps (1935). It was as big a hit in America as in England, caught the attention of Hitchcock's future producer David O. Selznick and linked Hitchcock's name forever with light, quickly paced, romantic thrillers.

  7. The 39 Steps is that rarity: a bona fide cinematic masterpiece which the public clasps to its bosom, a great work which is also a great crowd-pleaser: amusing and scary, engaging and engrossing, full of dazzling light and eerie shadow. Hitchcock liked to remark, with what may have been a sly touch of self-deprecation: “Most films are slices ...

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