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The Asphalt Jungle is a brilliantly conceived and executed anatomy of a crime -- or, as director John Huston and scripter Ben Maddow put it, "a left-handed form of human endeavor." Recently paroled master criminal Erwin "Doc" Riedenschneider (Sam Jaffe), with funding from crooked attorney Emmerich (Louis Calhern), gathers several crooks together in Cincinnati for a Big Caper.
The Asphalt Jungle - The Criterion Channel. The Asphalt Jungle. Directed by John Huston • 1950 • United States Starring Sterling Hayden, Louis Calhern, Jean Hagen. In a smog-choked city somewhere in the American Midwest, an aging criminal mastermind, newly released from prison, hatches a plan for a million-dollar jewel heist and draws a ...
Directed by John Huston • 1950 • United States. Starring Sterling Hayden, Louis Calhern, Jean Hagen. In a smog-choked city somewhere in the American Midwest, an aging criminal mastermind, newly released from prison, hatches a plan for a million-dollar jewel heist and draws a wealthy lawyer and a cherry-picked trio of outlaws into his ...
La jungla de asfalto es una película dirigida por John Huston con Sterling Hayden, Jean Hagen. Sinopsis : Doc Riedenschneider es un criminal legendario que acaba de salir de la cárcel y que ...
La jungla de asfalto película dirigida por John Huston y protagonizada por Sterling Hayden, Louis Calhern y Jean Hagen. Año: 1950. Tema: Atracos. Slogan: La ciudad bajo la ciudad Sinopsis: La meticulosa planificación de un atraco a una joyería, por parte de una banda de delincuentes, le sirve a Huston para ofrecer un poderoso relato lleno de intensidad, amén de un realista e insuperable ...
The Asphalt Jungle. Led by an aging professional, a gang of thieves discover betrayal and death following a successful jewel heist. Directed by Academy Award- winner John Huston ("The African Queen," "The Treasure of the Sierra Madre"), this classic crime thriller stars Sterling Hayden ("Dr. Strangelove," "The Godfather") and Oscar-nominees ...
The Asphalt Jungle est un film contrasté, non seulement dans le sens où il s’agit d’un film noir dont le clair-obscur fut une composante indispensable, mais aussi comment Huston nous montre la confrontation et les oppositions - celle des polices et des ...
