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The Goalkeeper's Fear of the Penalty (German: Die Angst des Tormanns beim Elfmeter) is a 1972 German-language detective film, directed by Wim Wenders. It is also known as The Goalie's Anxiety at the Penalty Kick. It was adapted from the novel with the same title by Peter Handke.
13 de ene. de 1977 · The Goalie's Anxiety at the Penalty Kick: Directed by Wim Wenders. With Arthur Brauss, Kai Fischer, Erika Pluhar, Libgart Schwarz. Goalkeeper Josef Bloch is ejected during a game for foul play. He leaves the field and goes to spend the night with a cinema cashier.
Goalkeeper Josef Bloch is sent off after committing a foul during an away game. This causes him to lose his bearings, and he wanders aimlessly through the city streets and spends the night with the box-office attendant of a movie theatre. (Also known as The Goalkeeper’s Fear of the Penalty.)
El miedo del portero al penalti ( en alemán : Die Angst des Tormanns beim Elfmeter ) es una película dramática en alemán de 1972 dirigida por Wim Wenders . También se le conoce como La Ansiedad del Portero ante el Tiro Penal . Fue una adaptación de la novela del mismo título de Peter Handke . [1]
The goalkeeper Josef Bloch (Arthur Brauss) is sent off after committing a foul during an away game. This causes him to completely lose his bearings. He wanders aimlessly through the unfamiliar town, spends the night with the box-office attendant of a movie theater (Erika Pluhar), and strangles her the next morning.
Synopsis. Based on the 1970 novella by Peter Handke, Wim Wenders' The Goalie's Anxiety at the Penalty Kick, completed in 1972, documents the warped journey of athlete Josef Bloch (Arthur Brauss) as he slowly and unhysterically transitions from a professional football goalie to a peripatetic madman. In Vienna.
Directed by Wim Wenders • 1972 • West Germany. Starring Arthur Brauss, Kai Fischer, Erika Pluhar. Adapted from a novel by Nobel Prize winner Peter Handke, Wim Wenders’s first theatrical feature crosses Hitchcock with Kafka for an arresting study of existential ennui, violence, and the lure of American culture in postwar Europe.
