1983
Search results
Labels. Arhoolie, Flying Fish, Le Chant du Monde, MW. Website. klezmo .com. The Klezmorim, founded in Berkeley, California, in 1975, was the world's first klezmer revival band, widely credited with spearheading the global renaissance of klezmer (Eastern European Yiddish instrumental music) in the 1970s and 1980s.
Klezmorim, 1925. El klezmer (del yiddish קלעזמער, del hebreo כליזמר, pl. כליזמרים) es un género musical étnico originado en la tradición askenazí de Europa del Este. Se desarrolló rápidamente en las comunidades judías existentes antes de las dos guerras mundiales.
THE KLEZMORIM: Instigators of the klezmer revival. Disko Pixo Bongo Mojo Seekfo Kontakt. In 1975 a ragtag army of street musicians from Berkeley, California jump-started the worldwide klezmer revival. Co-founder/saxman Lev Liberman tells the inside story of The Klezmorim from then 'til now — Grammy nominees, Carnegie Hall headliners, European ...
Klezmer music, genre of music derived from and built upon eastern European music in the Jewish tradition. The common usage of the term developed about 1980; historically, a klezmer (plural: klezmorim or klezmers) was a male professional instrumental musician, usually Jewish, who played in a band.
Klezmorim, formed by saxophonist Lev Liberman and violinist David Skuse in Berkeley, California, in 1974, sought to bring klezmer music back to life. The 1976–78 recordings presented here chronicle the start of the klezmer revival. This 1989 reissue contains the first recordings by Klezmorim for Arhoolie Records.
Klezmer ( Yiddish: קלעזמער or כּלי־זמר) is an instrumental musical tradition of the Ashkenazi Jews of Central and Eastern Europe. [1] . The essential elements of the tradition include dance tunes, ritual melodies, and virtuosic improvisations played for listening; these would have been played at weddings and other social functions.
El término ‘klezmer’ – que usamos todos hoy – era peyorativo: significaba un tipo pobre que tocaba música vulgar y poco evolucionada. Los klezmoirim no eran músicos muy populares. Cuando tocaban, cada uno agregaba armonía, lo que pasaba por su mente, según su talento, según su inspiración. No valía mucho, no valía casi nada” [3].
