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  1. en.wikipedia.org › wiki › Theo_CrosbyTheo Crosby - Wikipedia

    Theo Crosby RA (3 April 1925 – 12 September 1994) was an architect, editor, writer and sculptor, engaged with major developments in design across four decades. He was also an early vocal critic of modern urbanism.

  2. Theo Crosby (1925–1994) and Polly Hope (1933–2013) and A. & A. Sculpture Casting (active c.1978–c.1988) Architect, sculptor and writer, born in Mafeking, South Africa. He studied at University of Witwatersrand, Johannesburg, moved to London in 1947 and that year studied part-time at Sir John Cass School of Art, then Central School of Arts ...

  3. architecture.arthistoryresearch.net › architects › crosby-theoCrosby, Theo 1925 - 1994 | AHRnet

    15 de sept. de 1994 · Crosby, Theo 1925 - 1994. Theo Crosby was born in Mafeking, South Africa, on 3 April 1925. After training as an architect at the University of Witwatersrand in Johannesburg (B.Arch., 1947), he moved to London, England, where he studied at Sir John Cass School, Central School of Arts and Crafts, and at St. Martin's School of Art (1947 ...

  4. 11 de mar. de 2015 · Architect, sculptor, writer, designer, Crosby was involved in several of the most defining events of 20th century British architectural culture, even if he is probably best known for being a founding partner of design firm Pentagram, established in 1972.

  5. hmn.wiki › es › Theo_Crosbyteo crosby

    Theo Crosby RA (3 de abril de 1925 - 12 de septiembre de 1994) fue arquitecto, editor, escritor y escultor, comprometido con los principales avances en diseño durante cuatro décadas. También fue uno de los primeros críticos vocales del urbanismo moderno.

  6. 14 de sept. de 1994 · Theo Crosby, architect, sculptor, writer, designer: born 3 April 1925; RIBA 1948; Technical Editor, Architectural Design 1953-62; partner, Pentagram Design 1972-94; ARA 1982, RA 1990; Professor...

  7. This paper, for the 2013 Yale School of Architecture symposium "Exhibiting Architecture: a paradox?," focuses on Theo Crosby, who was a figure central to the post-war architectural avant-garde, yet whose own personal program and preferences seem mercurial, and obscured by his preference to edit and curate the work of others.