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  1. Thoroughly Modern Millie is a 1967 American musical-romantic comedy film directed by George Roy Hill and starring Julie Andrews. The screenplay, by Richard Morris based on the 1956 British musical Chrysanthemum , [3] follows a naïve young woman who finds herself in a series of madcap adventures when she sets her sights on marrying ...

  2. Millie, una chica moderna es una película estadounidense de 1967 del género comedia musical, dirigida por Tex Avery y George Roy Hill y protagonizada por Julie Andrews, James Fox, Mary Tyler Moore, John Gavin, Carol Channing, Beatrice Lillie y Pat Morita.

  3. 16 de dic. de 2014 · A beautiful and nostalgic one! It was one of the biggest money makers the year it opened thanks to Julie Andrews who was the number 1 actress at the box office 3 years in a row. Very funny, the entire cast was great. If asked to split hairs possibly a bit long.

  4. Julie Andrews stars as a flapper girl who tries to marry her boss in 1920s New York, but faces white slavers and true love. IMDb provides cast and crew information, user and critic reviews, trivia, goofs, quotes, and more for this Oscar-winning film.

  5. Millie, una chica moderna es una película dirigida por George Roy Hill con Julie Andrews, James Fox, Mary Tyler Moore, Carol Channing .... Año: 1967. Título original: Thoroughly Modern Millie. Sinopsis: Millie (Julie Andrews) es una inocente chica que se traslada del campo a la ciudad en busca de marido.

  6. Year: 1967. Original title: Thoroughly Modern Millie. Synopsis: In 1922 New York City, Millie Dillmount and Miss Dorothy Brown are just two of the girls living at the Priscilla Hotel for Single Young Ladies run by Mrs. Meers. Orphaned, Miss Dorothy, just recently ...You can watch Thoroughly Modern Millie through on the platforms:

  7. Thoroughly Modern Millie. País. USA. Estreno en USA. 22/03/1967. Estreno en España. 25/12/1967. Productora. Ross Hunter Productions. Distribuidora. Universal Pictures. Distribuidora en España. Universal Films. Director. George Roy Hill. Guión.

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