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Provided to YouTube by ColumbiaA Touch of Evil · Judas PriestMetal Works '73-'93℗ 2001 SONY BMG MUSIC ENTERTAINMENT LimitedReleased on: 1993-04-28Producer, R...
28 de ago. de 2021 · Initially dismissed by film critics, Touch of Evil is now widely regarded as one of Welles's best motion pictures and one of the best classic-era films noir. In 1993, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
Mexico's chief narcotics officer, Mike Vargas, is in a border town on a quick honeymoon with his American wife. Soon he must testify against Grandi, a drug lord whose brother and sons are tracking him, hoping to scare his wife and back him off the case. When a car bomb kills a rich U.S. developer, Vargas embroils himself in the investigation ...
23 de may. de 2023 · “Touch of Evil” (Sed De Mal, 1958) es la última película que Orson Welles rueda en Hollywood. Los ejecutivos de la Universal Studios, espantados ante el visionado de “Touch of Evil” (1958), le arrebataron la película para remontarla y rodar escenas adicionales sin contar con él. Orson Welles escribió un memorando de 58 páginas con las indicaciones para realizar un nuevo montaje ...
A very technically advanced noir from the skillful Wells. With the cool rhythm of the narrative, the thick atmosphere of a border town, masterful framing, witty dialogues bursting from the mouths of characteristic characters – it’s hard not to enjoy the action for the entire two hours. Translated to English.
When a car bomb explodes on the American side of the U.S./Mexico border, Mexican drug enforcement agent Miguel Vargas begins his investigation, along with American police captain Hank Quinlan. When Vargas begins to suspect that Quinlan and his shady partner, Menzies, are planting evidence to frame an innocent man, his investigations into their possible corruption quickly put himself and his ...
11 de sept. de 1998 · Touch of Evil dissects the nature of good and evil in a hallucinatory, nightmarish ambience, helped by the shadow-laden cinematography of Russell Metty and by the cast, which, along with Tamiroff and Welles includes Charlton Heston as a Mexican; Marlene Dietrich, in a brunette wig, as a brittle madam who delivers the movie's unforgettable closing words; Mercedes McCambridge as a junkie; and ...
