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Will Gluck ( Nueva York, 1978) es un director de cine, guionista, payaso, humorista y compositor estadounidense. Director de Peter Rabbit y Peter Rabbit 2. humores negros - (2009) humores vacíos' - (2010) 1. humores radiantes - (2011) 2. humores machistas - (2014) humores racistas - Director (2018) 3. 4. humores racistas 2 - Director (2020) 5.
Will Gluck (born November 7, 1978) is an American filmmaker, songwriter, and composer. Life and career. Gluck is the son of American academic and Japanologist Carol Gluck and architect Peter L. Gluck. [1] . He began his career as a television writer, working on such shows as Grosse Pointe, Luis and Andy Richter Controls the Universe. [2] .
Will Gluck is a Golden Globe-nominated writer/director/producer who has worked on movies like Easy A, Friends with Benefits, and Peter Rabbit. He runs Olive Bridge Entertainment and has a production deal with Sony Pictures and wiip.
14 de oct. de 2023 · Se Dice de Mí - 85%, la icónica cinta de Will Gluck que tiene como protagonista a Emma Stone, era en 2010 una señal muy poderosa sobre lo que sería la carrera de esta actriz en el futuro, a pesar de que ya había protagonizado otras comedias como Supercool - 88% y The House Bunny, así como la inolvidable Tierra de Zombies - 90%.
Géneros. Desglose por tipo. Acreditado con. Will Gluck es un guionista y director conocido por Con derecho a roce, Rumores y mentiras, Cualquiera menos tú, Peter Rabbit, Annie, Guerra de cheerleaders, Peter Rabbit 2: A la fuga, El show de Michael J. Fox (Serie de TV), Grosse Pointe (Serie de TV) y The Loop (Serie de TV)
Will Gluck is a writer, director and producer of comedies such as Easy A, Friends with Benefits and Peter Rabbit. He runs Olive Bridge Entertainment and has a family in Los Angeles.
28 de jul. de 2021 · Will Gluck talks to Screen Rant about his sequel to the 2018 feature film adaptation of the Beatrix Potter stories, Peter Rabbit 2: The Runaway. He shares his approach to the characters, the meta themes, and his plans for a third film. He also reveals how he treated the CGI critters as real people and the live-action stars as heightened characters.
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