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  1. Yorgos Mavropsaridis (Greek: Γιώργος Μαυροψαρίδης, romanized: Giorgos Mavropsaridis; born 21 November 1954) is a Greek film editor. He is well known for his collaborations with Yorgos Lanthimos, having edited all his films to date. He is a graduate of the London Film School, and honed his skills working in commercials.

  2. Premios. Géneros. Desglose por tipo. Acreditado con. Yorgos Mavropsaridis es un editor conocido por Langosta, La favorita, Canino, El sacrificio de un ciervo sagrado, Pobres criaturas, Un toque de canela, Alps, Monos, The Cursed y +1.

  3. 17 de mar. de 2024 · He did not win the Oscar for film editing in Yorgos Lanthimos’ “Poor Things” (the prize went to Jennifer Lame for her work on Christopher Nolan’s “Oppenheimer”), but Mavropsaridis is already one step ahead. He has completed the editing for Lanthimos’ next film, “Kinds of Kindness,” co-written by Efthimis Filippou ...

  4. 20 de feb. de 2024 · 20/02/2024 - 10:40 h COT. En diálogo con La W, el cineasta griego Yorgos Mavropsaridis, editor de la película ‘Poor Things’ (’Pobres Criaturas’), conversó a propósito de su nominación al Premio Óscar en la categoría Mejor Edición.

  5. Yorgos Mavropsaridis is known for Poor Things (2023), The Favourite (2018) and The Lobster (2015). More at IMDbPro. Contact info. Agent info. Resume. Add to list. Nominated for 2 Oscars. 14 wins & 53 nominations total. Known for. Poor Things. 7.9. Editor. 2023. The Favourite. 7.5. Editor. 2018. The Lobster. 7.1. Editor. 2015. Dogtooth. 7.2. Editor.

  6. Learn about the Greek film editor who has worked with Yorgos Lanthimos for 25 years and shares his top five movies. Discover his insights on editing, time, memory, and fate in films by Resnais, Tarkovsky, Kubrick, and more.

  7. 3 de mar. de 2024 · March 3, 2024. Weird is Wonderful: The Adventure of Editing “Poor Things” Adrian Pennington. TL;DR. Editor Yorgos Mavropsaridis, ACE discusses his longtime collaboration with director Yorgos Lanthimos on the multi-Oscar nominated “Poor Things.” Mavropsaridis explains how the dance scene on the cruiser became a microcosm for the whole film.