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The influence of Appia and Craig. The two most important theoreticians and designers of the non-illusionist movement were the Swiss Adolphe Appia and the Englishman Edward Gordon Craig. Appia began with the assumption posited by Wagner that the fundamental goal of a theatrical production was artistic unity.
20 de oct. de 2015 · Visionarios de la escena, teóricos infatigables, pioneros del diseño del teatro moderno… Adolphe Appia y Edward Gordon Craig encontraron en el espacio, la luz y la abstracción de las formas, el verdadero sentido de la visualidad del teatro…Sin duda, sería los “profetas del teatro moderno”.
28 de jun. de 2022 · Adolphe Appia y Edward Gordon Craig fueron dos escenógrafos que a través de sus estudios aportaron una nueva visión a la composición de las escenografías. El resultado fue lo que hoy llamamos escenografía contemporánea.
4 de jun. de 2015 · Often cited alongside the work of Edward Gordon Craig, Appia is regarded as one of the most influential thinkers and contributors to the modernist theatre aesthetic and therefore a founder of contemporary notions of scenography, responsible for sweeping away ‘both the theoretical and the technical foundations of post-Renaissance ...
28 de nov. de 2018 · In his ultimate rejection of Japanese theatre, Craig joined Appia: Appia asserted the racial necessity of the Germans to return to the sacred tradition of German theatre; Craig insisted that the path for Western theatre to move forward must be English and American, not Asian.
Graham Ley. Chapter. 43 Accesses. Abstract. Edward Gordon Craig (1872–1966) and Adolphe Appia (1862–1928), roughly contemporaneous practitioners and theorists, have frequently been linked because of the affinities between their visions for a reformed stage design and mise-en-scène.
Les avancées d'Appia ne peuvent être dissociées des apports de son cadet de dix ans, Edward Gordon Craig (1872-1966), metteur en scène et théoricien anglais. Celui-ci définit le théâtre comme un art du mouvement dans un espace symbolique fondé sur la rencontre géométrique des lignes et des plans, des jeux d'ombre, des lumières et de ...
