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  1. 23 de abr. de 2024 · Titian, the greatest Italian Renaissance painter of the Venetian school. He was recognized early in his own lifetime as a supremely talented painter, and his reputation has in the intervening centuries never suffered a decline. A few of his best-known works include Venus of Urbino and Assumption.

  2. www.artchive.com › paintings-by-artist › titian274 Titian Paintings

    7 de may. de 2024 · 274 Titian Paintings. Titian, full name Tiziano Vecelli, was an Italian painter and one of the greatest artists of the High Renaissance period. Born around 1488 in Pieve di Cadore, Italy, Titian's work is known for its bold use of color, intricate detail, and emotional depth. He was a master of portraiture and religious scenes, and ...

  3. 3 de may. de 2024 · Tiziano Vecellio, uno dei più importanti pittori italiani del Rinascimento, ha realizzato opere raffinate e belle, come la Vergine degli Anziani, Bacco e Arianna e Venere di Urbino. La sua maestria nell’utilizzo dei colori e nella rappresentazione dei dettagli rende le sue opere uniche.

  4. 13 de may. de 2024 · Tiziano Vecellio, known in English simply as Titian, transformed Renaissance painting through his mastery of form and color. Over the course of his long and successful career, Titian generated a multitude of masterpieces.

  5. 1 de may. de 2024 · The 17 Most Famous Paintings at the Louvre. Art is about emotion. It’s the result of an artist unleashing their innermost thoughts and feelings onto canvas for all to witness, but which few understand.

  6. 24 de abr. de 2024 · Circle of Tiziano Vecellio, called Titian. (Pieve di Cadore circa 1485/90–1576 Venice) The Entombment of Christ, oil on canvas, 141.5 x 186 cm, framed. Provenance: with International Art Gallery, Monte Carlo; where acquired by the family of the present owner, 1964 The present painting relates to a composition by Tiziano Vecellio ...

  7. 28 de abr. de 2024 · L’opera Martirio di S. Lorenzo è un dipinto realizzato dal famoso pittore italiano Tiziano Vecellio nel 1558-1559. Raffigura la scena del martirio di San Lorenzo, uno dei primi martiri cristiani. Nel dipinto, San Lorenzo viene rappresentato come un giovane santo, legato ad una griglia di ferro ardente come parte del suo supplizio.

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